Yarbrough’s works are mainly in pastels, acrylics, egg tempera, and oils. His paintings include streets of Venice, dancers, musicians, fish, history and myth, fantasy and diabolic conflict. Through March 24 his paintings are exhibited at Marietta/Cobb Museum of Art, titled “Yarbrough: 53.9 Years & Still Unpredictable.” The museum is located at 30 Atlanta St. in Marietta.
“I am an intuitive painter even though I work with some standard techniques. You can’t be quite sure what I am going to be doing six months from now,” said Yarbrough, a former east Cobb resident who now lives in Atlanta.
Though some of Yarbrough’s paintings appear traditional, he enjoys pushing the visual edge. Among his recent visual experiments is a painting of a woman floating under water.
“I’ve never done anything like that before. It’s different from anything either that I’ve done before or that I’ve seen before. The way they looked different from what I expected is what intrigued me,” Yarbrough said.
Born in Chattanooga, Yarbrough moved to East Point as a child where he live until he married in 1960. At age 4, he received chalk and a blackboard from his parents.
“I was in art from there on,” Yarbrough said.
During high school, he explored art through various means. He attended the Junior School, a professional art school, at the High Museum of Art in Atlanta for three years during high school. “I was always wanting to draw and paint,” said Yarbrough, who is married to Jeanne.
After completing his studies including time in Paris he taught at the High Museum as well as privately until 1980. In 1980 wanting “more hands on” work he painted murals and wall treatments for interior designers. Now retired, Yarbrough focuses on painting.
“I enjoyed drawing ever since I was a little boy. Painting is just an extension of drawing,” he said.
One of Yarbrough’s interesting techniques is his use of egg tempera that he estimates dates back to pre-Roman times. “Since I make all my paints from dry pigments you just add a mixture of egg yolk and water to the pigments and they’re ready to paint,” he said.
“There is a renaissance of egg tempera painters. It was the standard best way to work on a panel until the 1500s,” he explained.
For Yarbrough, painting is an extension of himself. “You think in visual terms more than verbal terms if you spend time in visual arts. Painting is way to see what you think about this that and the other,” he said.
To view Yarbrough’s works online visit www.2021collectionsgalleryrodin.com